T-U-R-K-E-Y
I wish it were different, but… For our 5th production show in Las Vegas, Susie Reese and I select CIRCUS 1903 just opening at the PARIS casino (in fact, it happens to be the 2nd performance). Normally, I would hesitate to make some of the observations that will follow for a production just gelling; however, in this case, the show has had a number of sit-down engagements throughout the country including some in large markets.
The conceit of the show is that audience members have a chance to observe a circus and its performers just as if they are erecting the tent, prepping for the event and following with the actual performance (in 1903, that is).
The show begins in a promising way as roustabouts frolic on a teeterboard. By the time the contortionist emerges from the Side Show, though, I am ready to help them pack it in and head for Poughkeepsie. I am sorry to say that the circus artists possess talent, yet when compared with the expertise of a typical Cirque du Soleil performer they would be found wanting.
What are the producers thinking? How could they think that a contemporary audience would make allowances for these deficiencies when BEATLES LOVE, for example, resides down the street. Even the technical elements of raising the tent prove to be problematic.
Of course, some worthy features do emerge from the experience. The “ringmaster” certainly proves to be a talented gentleman. Also, the elephant with baby, operated by puppeteers, appeals to the audience as well. These creations, incidentally, were fashioned by the masters behind the amazing creatures in Broadway’s WAR HORSE. Ooh’s and ah’s should have been resonating and bouncing off the canvas; unfortunately, that was not the case here. The child in me yearns to be wide-eyed, but I age – alarmingly – during these ninety minutes.
Omnipresent are the popcorn and souvenirs, but entertainment expires at the ticket booth. I expect that the theatre at the PARIS will be searching for a new tenant soon.
Theatre Curtain Calling…Reviewing the Situation
